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Godzilla Eats Las Vegas

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  • Orchestra & SATB Chorus
  • Concert Band

Orchestra & SATB Chorus

Duration

14 minutes

Year of Composition

2015

Licensing

Boosey & Hawkes

Note from Composer

In 2015, my good friend Jonathan Newman reorchestra Godzilla for full orchestra and I created new choral parts to accompany the musicians. The piece was premiered with the Minnesota Orchestra and the Minnesota Chorale in Orchestra Hall, Minneapolis.

Here’s the story of the original piece:

It took me seven years to get my bachelor’s degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.

Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a ‘script’ that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).

I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The ‘script’ was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn’t seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.

The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I’m laughing my head off even as I write this!

Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.

The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting – anything to get a laugh.

Here is the script that the audience follows while the piece is being performed:

Part One

FADE UP
It is a Bright and Sunny day as the sequined curtain rises on tinsel town, and the excitement of a new day filled with the possibility of The Big Payoff is practically palpable. The band kicks off the show in high gear and all is well as we suddenly hear:

CUT TO DESERT
A lone shakuhachi flute usher the arrival of something really VERY bad.

CUT BACK TO BAND
A relaxed rhumba. showgirls blissfully jiggle.

CUT TO MILITARY COMMAND CENTER (stock footage)
Morse code signals the confirmation of approaching doom.

CUT BACK TO BAND
The players finish off their third set and head for the bar; outside we hear:

SLOW ZOOM
Oh no, oh no, oh no, it’s:

CLOSE UP
Godzilla! Glorious Godzilla!

VARIOUS QUICK CUTS (stock footage)
Godzilla destroys cars, screaming tourists, ect.

CUT BACK TO BAND
The band, quasi Greek Chorus, calls for Godzilla to Mambo.

GODZILLA, FULL FRAME
Godzilla mambos, casually crushing hysterical Vegans without missing a step.

EXTREME CLOSE UP
A tiny terrier barking bravely, then:

CUT BACK TO GODZILLA
Demolishing everything in his path… not even the doggie escapes!

WIDE PAN
As Godzilla heads down the strip, searching relentlessly for:

CLOSE UP (stock footage)
Frank Sinatra (Stomped!)

CLOSE UP (stock footage)
Wayne Newton (Stamped!)

CLOSE UP (stock footage)
Liberace (Stepped upon!)

VARIOUS CUTS
The Village Gods destroyed, Godzilla continues his carnage until the City of Sin is leveled!

Part Two

FADE UP
A fearless army of Elvises (Elvi) appear in the distance, formation marching through the littered streets

VARIOUS CLOSE UPS
The Elvi attack, using bombers, missiles, ect.

EXTREME CLOSE UP
One wicked laugh from Godzilla and the Elvi scatter like mice!

QUICK CUT (stock footage)
The Sphinx sits outside The Luxor, looking seductive in a Mae West sort of way.

CLOSE UP
Godzilla takes one look and his eyes pop out of his head.

QUICK CUTS
The Sphinx (Sphinxtress?) seduces the Reptile, who instantly falls in love and begins to…

WIDE SHOT
…tango with her.

SPLIT SCREEN
As they dance, the Elvi slowly regroup and head for the:

QUICK CUT (stock footage)
Pirate ships at Treasure Island

ACTION SEQUENCE (MONTAGE)
The Elvi approach the dancing monster and launch a ferocious volley of cannonballs directly at him.

QUICK CLOSE UPS
The cannonballs find their mark, and Godzilla:

WIDE SHOT
Falls to the ground, annihilated. The Elvi are triumphant!

CROSSFADE
The lounge is open again, and the city of Las Vegas toasts the victory. The scene climaxes with:

VARIOUS CUTS (stock footage)
People happy, tearful, ect. Stock footage, stock music.

SLOW FADE OUT AND FADE UP
A dark, ominous, and very familiar sound…

SLOW ZOOM
Godzilla lives! Godzilla lives! Complete terror (possible sequel?).

WIDE SHOT
The Show is over. The End.

FADE TO BLACK

Instrumentation

Piccolo
Flutes
Oboes 1 & 2
Clarinets in B 1 & 2
Bassoon
Contrabassoon
Horns in F 1-4
Trumpets in B 1, 2 & 3
Trombones 1 & 2
Bass Trombone
Tuba
Timpani
Percussion 1, 2 & 3
Xylophone
Glockenspiel
Suspended Cymbal 1 & 2
Tam-tam
Tubular Bells
Cowbell
Piatti
Bamboo Sticks (or Woodblock)
Finger Cymbals
Suspended Triangle
Ratchet
Vibraphone
Bass Drum
Timbales
Tambourine
Flexatone
Drumset: Snare, Kick, 3 Floor Toms, Rise, Hi-hat, Crash, Splash Cymbals
Triangle
Bongos
Bag of Glass
Marching Whistle
Mark Tree
Piano
Harp
SATB Chorus
Violin I
Violin II
Viola
Violincello
Contrabass

Concert Band

Duration

14 minutes

Year of Composition

1996

Licensing

Boosey & Hawkes

Purchase

Hal Leonard

Note from Composer

It took me seven years to get my bachelor’s degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.

Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a ‘script’ that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).

I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The ‘script’ was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn’t seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.

The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I’m laughing my head off even as I write this!

Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.

The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting – anything to get a laugh.

Here is the script that the audience follows while the piece is being performed:

Part One

FADE UP
It is a Bright and Sunny day as the sequined curtain rises on tinsel town, and the excitement of a new day filled with the possibility of The Big Payoff is practically palpable. The band kicks off the show in high gear and all is well as we suddenly hear:

CUT TO DESERT
A lone shakuhachi flute usher the arrival of something really VERY bad.

CUT BACK TO BAND
A relaxed rhumba. showgirls blissfully jiggle.

CUT TO MILITARY COMMAND CENTER (stock footage)
Morse code signals the confirmation of approaching doom.

CUT BACK TO BAND
The players finish off their third set and head for the bar; outside we hear:

SLOW ZOOM
Oh no, oh no, oh no, it’s:

CLOSE UP
Godzilla! Glorious Godzilla!

VARIOUS QUICK CUTS (stock footage)
Godzilla destroys cars, screaming tourists, ect.

CUT BACK TO BAND
The band, quasi Greek Chorus, calls for Godzilla to Mambo.

GODZILLA, FULL FRAME
Godzilla mambos, casually crushing hysterical Vegans without missing a step.

EXTREME CLOSE UP
A tiny terrier barking bravely, then:

CUT BACK TO GODZILLA
Demolishing everything in his path… not even the doggie escapes!

WIDE PAN
As Godzilla heads down the strip, searching relentlessly for:

CLOSE UP (stock footage)
Frank Sinatra (Stomped!)

CLOSE UP (stock footage)
Wayne Newton (Stamped!)

CLOSE UP (stock footage)
Liberace (Stepped upon!)

VARIOUS CUTS
The Village Gods destroyed, Godzilla continues his carnage until the City of Sin is leveled!

Part Two

FADE UP
A fearless army of Elvises (Elvi) appear in the distance, formation marching through the littered streets

VARIOUS CLOSE UPS
The Elvi attack, using bombers, missiles, ect.

EXTREME CLOSE UP
One wicked laugh from Godzilla and the Elvi scatter like mice!

QUICK CUT (stock footage)
The Sphinx sits outside The Luxor, looking seductive in a Mae West sort of way.

CLOSE UP
Godzilla takes one look and his eyes pop out of his head.

QUICK CUTS
The Sphinx (Sphinxtress?) seduces the Reptile, who instantly falls in love and begins to…

WIDE SHOT
…tango with her.

SPLIT SCREEN
As they dance, the Elvi slowly regroup and head for the:

QUICK CUT (stock footage)
Pirate ships at Treasure Island

ACTION SEQUENCE (MONTAGE)
The Elvi approach the dancing monster and launch a ferocious volley of cannonballs directly at him.

QUICK CLOSE UPS
The cannonballs find their mark, and Godzilla:

WIDE SHOT
Falls to the ground, annihilated. The Elvi are triumphant!

CROSSFADE
The lounge is open again, and the city of Las Vegas toasts the victory. The scene climaxes with:

VARIOUS CUTS (stock footage)
People happy, tearful, ect. Stock footage, stock music.

SLOW FADE OUT AND FADE UP
A dark, ominous, and very familiar sound…

SLOW ZOOM
Godzilla lives! Godzilla lives! Complete terror (possible sequel?).

WIDE SHOT
The Show is over. The End.

FADE TO BLACK

Instrumentation

Flutes 1, 2 & 3 (3rd doubling Piccolo)
Oboes 1 & 2
Bassoons 1 & 2
Clarinets in B 1, 2 & 3
Bass Clarinets 1 & 2
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpets in B 1, 2 & 3
Horns in F 1-4
Trombones 1, 2 & 3 (3rd Bass)
Euphonium
Amplified Bass
Tubas 1 & 2
Piano
Mallet Percussion
Xylophone
Vibraphone
Glockenspiel
Timpani
Percussion 1-4
Trap Set
Bongos
Cymbals
Glockenspiel
Claves
Suspended Cymbal
Xylophone (off stage)
Low Gong
Tam-tam
Glass/Garbage Cans
Crash Cymbal
Timbales
Cowbell
Triangle
Snare
Bass Drum
Marching Whistle
Bamboo Sticks
Tambourine
Finger Cymbals
Ratchet
Marching Machine
Mark Tree
Lion’s Roar