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November 10, 2022

Carnegie Hall, November 29

Eric returns to work with the singers of DCINY on the stage of Carnegie Hall, New York on Tuesday, November 29, 2022. The program will feature the world premiere of the new edition of ‘The Gift of the Magi’ alongside Eric’s ‘The Boy Who Laughed at Santa Claus’ and other festive favorites.

More information and tickets

September 01, 2022

Press: The Sydney Morning Herald

The Sydney Morning Herald features The Sacred Veil in their latest article, ahead of Eric’s tour to Australia and New Zealand this month.

The “thin place” is a Celtic Christian concept but most of us know the feeling. It’s a place on... continued

June 17, 2022

Happy Hour with Salastina

Join Eric for Salastina’s virtual Happy Hour: Eric Whitacre and a Deep Field Deep Dive on Tuesday, June 21 at 6pm PDT.  Attendance for this event is free but pre-registration is required.

Register

June 07, 2022

The NAMM Show 2022

Eric is thrilled to be at the NAMM Show this weekend for a series of events including the ground-breaking LIVE virtual performance of Sing Gently at The NAMM Foundation Grand Rally for Music Education powered by JackTrip.

April 13, 2022

Interview with BBC Radio London

Eric joined Jumoke Fashola on BBC Radio London yesterday to talk about the upcoming Live from London broadcast of The Sacred Veil with choral supergroup VOCES8, Christopher Glynn (piano) and Emma Denton (cello).

Listen to the full interview on continued

March 07, 2022

Concerts with the Oregon Repertory Singers

Eric will be conducting the Oregon Repertory Singers (Artistic Director: Ethan Sperry) in many of his works including Leonardo Dreams of his Flying Machine, Lux Aurumque, Water Night, and more on April 23 and 24, 2022 at 4 pm PST.

Tickets are available now from the Oregon Repertory Singers website.

February 17, 2015

Lux Aurumque in Montreal

During a concert of my music in Montreal years ago there was a spectacular thunderstorm. At the end of Lux Aurumque something magical happened…

January 29, 2015

Deep Field

The first three minutes of Deep Field in skeletal sketch form – I call it “emotional architecture.” I will make drawings like this for every moment of the piece before I compose any of the actual music.

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