Goodnight Moon
Browse CatalogSATB & Piano
Duration
4 minutes
Year of Composition
2012
Licensing
Purchase
US: Hal Leonard
UK: Musicroom
World: Music Shop Europe
Digital: SheetMusicDirect
Perusal Score
Note from Composer
Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. I later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.
This arrangement of Goodnight Moon was commissioned by a Consortium of choirs.
Lead Commissioner:
Una Vocis Choral Ensemble – Dennis O. Lee
Co-Commissioners:
Howell High School Chorus, New Jersey – Regina McAllen
Sintanada Music Education – Mrs.Yenny Wiriawaty Ng; Ms. Edeline Mawardi Tjandra
The Choirs of Barker College, Sydney – Peter Ellis
The Choirs of Gahanna Lincoln High School – Jeremy Lahman
Bellevue Chamber Chorus – Dr. Fredrick Lokken
Centerville High School Symphonic Choir – Ben Spalding
Middletown High School Chamber Singers – Gregory Bennett
The College of Wooster Chorus – Lisa Wong
Cedar Crest High School Chorus – Martha I. Pierce
San José State University Concert Choir – Dr. Jeffrey Benson
The Choirs of Columbus Academy – Amy Brooks
Vernon-Verona-Sherrill High School Chorus – Mrs. Brandie Collins
The Text
In the great green room
There was a telephone
And a red balloon
And a picture of –
The cow jumping over the moon
And there were three little bears sitting on chairs
And two little kittens
And a pair of mittens
And a little toyhouse
And a young mouse
And a comb and a brush and a bowl full of mush
And a quiet old lady who was whispering “hush”
Goodnight room
Goodnight moon
Goodnight cow jumping over the moon
Goodnight light
And the red balloon
Goodnight bears
Goodnight chairs
Goodnight kittens
And goodnight mittens
Goodnight clocks
And goodnight socks
Goodnight little house
And goodnight mouse
Goodnight comb
And goodnight brush
Goodnight nobody
Goodnight mush
And goodnight to the old lady whispering “hush”
Goodnight stars
Goodnight air
Goodnight noises everywhere
Margaret Wise Brown, 1910-1952
Soprano & Piano
Duration
4 minutes
Year of Composition
2014
Licensing
Purchase
US: Hal Leonard
UK: Musicroom
World: Music Shop Europe
Note from Composer
Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. I later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.
The Text
In the great green room
There was a telephone
And a red balloon
And a picture of –
The cow jumping over the moon
And there were three little bears sitting on chairs
And two little kittens
And a pair of mittens
And a little toyhouse
And a young mouse
And a comb and a brush and a bowl full of mush
And a quiet old lady who was whispering “hush”
Goodnight room
Goodnight moon
Goodnight cow jumping over the moon
Goodnight light
And the red balloon
Goodnight bears
Goodnight chairs
Goodnight kittens
And goodnight mittens
Goodnight clocks
And goodnight socks
Goodnight little house
And goodnight mouse
Goodnight comb
And goodnight brush
Goodnight nobody
Goodnight mush
And goodnight to the old lady whispering “hush”
Goodnight stars
Goodnight air
Goodnight noises everywhere
Margaret Wise Brown, 1910-1952
SSA & Piano
Duration
4 minutes
Year of Composition
2020
Licensing
Note from Composer
Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. I later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.
This arrangement was commissioned by the National Children’s Chorus, United States of America.
The sheet music will be available from Hal Leonard in early 2022.
The Text
In the great green room
There was a telephone
And a red balloon
And a picture of –
The cow jumping over the moon
And there were three little bears sitting on chairs
And two little kittens
And a pair of mittens
And a little toyhouse
And a young mouse
And a comb and a brush and a bowl full of mush
And a quiet old lady who was whispering “hush”
Goodnight room
Goodnight moon
Goodnight cow jumping over the moon
Goodnight light
And the red balloon
Goodnight bears
Goodnight chairs
Goodnight kittens
And goodnight mittens
Goodnight clocks
And goodnight socks
Goodnight little house
And goodnight mouse
Goodnight comb
And goodnight brush
Goodnight nobody
Goodnight mush
And goodnight to the old lady whispering “hush”
Goodnight stars
Goodnight air
Goodnight noises everywhere
Margaret Wise Brown, 1910-1952
Soprano, Harp & String Orchestra
Duration
4 minutes
Year of Composition
2011
Licensing
Hire
Note from Composer
Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. I later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.
The Text
In the great green room
There was a telephone
And a red balloon
And a picture of –
The cow jumping over the moon
And there were three little bears sitting on chairs
And two little kittens
And a pair of mittens
And a little toyhouse
And a young mouse
And a comb and a brush and a bowl full of mush
And a quiet old lady who was whispering “hush”
Goodnight room
Goodnight moon
Goodnight cow jumping over the moon
Goodnight light
And the red balloon
Goodnight bears
Goodnight chairs
Goodnight kittens
And goodnight mittens
Goodnight clocks
And goodnight socks
Goodnight little house
And goodnight mouse
Goodnight comb
And goodnight brush
Goodnight nobody
Goodnight mush
And goodnight to the old lady whispering “hush”
Goodnight stars
Goodnight air
Goodnight noises everywhere
Margaret Wise Brown, 1910-1952
Instrumentation
Soprano solo
Harp
Violin I
Violin II
Viola
Violoncello
Contrabass
Wind Ensemble
Duration
4 minutes
Year of Composition
2018
Licensing
Purchase
US: Hal Leonard
UK: Musicroom
World: Music Shop Europe
Perusal Score
Note from Composer
Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. II later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.
This Wind Ensemble arrangement of Goodnight Moon was created by Dr. Verena Mösenbichler-Bryant and premiered with the World Adult Wind Orchestra Project (WAWOP) and the World Youth Wind Orchestra Project (WYWOP). Dr. Mösenbichler-Bryant conducted the premiere in July 2017 with soprano Hila Plitmann and Eric Whitacre in attendance.
Instrumentation
Solo Soprano
Flute 1, 2, 3
Oboe
Bassoon 1, 2
Clarinet 1, 2, 3
Bass Clarinet
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet in B♭
Horn 1, 2
Trombone 1, 2, 3
Euphonium
Tuba
Double Bass
Harp
Percussion (Glockenspiel, Vibraphone, Suspended Cymbal)
The soprano solo part can also be replaced with one of the following solo parts:
Flute
Oboe
Clarinet in B♭
Soprano Saxophone
Alto Saxophone
Trumpet in B♭
Euophonium
Violin
Violincello
Solo Guitar
Duration
4 minutes
Year of Composition
2020
Licensing
Purchase
Digital: Sheet Music Direct
Note from Composer
“Over the first six years of his life, I must have read Goodnight Moon to my son a thousand times, maybe more. Somewhere around reading number 500 I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed – the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, setting the text for harp, string orchestra, and my son’s mother, soprano Hila Plitmann. I later created a version for soprano and piano, SATB choir and piano and finally, SSA choir and piano.” – Eric Whitacre
“I was first introduced to Eric Whitacre’s music on my wedding day. As a surprise gift This Marriage was sung during the ceremony. I was immediately taken aback by the sheer beauty of sound that melded so flawlessly with the wonderful words of the poet Rumi. Sometime later I attempted a guitar transcription of This Marriage and was rather amazed that it was not only possible to play it verbatim, but that the music also maintained its integrity without the words. Having received an enthusiastic endorsement for the guitar arrangement from Eric, he suggested three other titles to transcribe: Goodnight Moon, The Seal Lullaby and Sing Gently. I am very proud to present these four arrangements which are a welcome addition to the guitar’s concert repertoire.” – Gerard Cousins
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- Animal Crackers Vol. II
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