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Ghost Train

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Concert Band

Note from Composer

Ghost Train was a total fluke.

In the fall of 1993, while an undergrad at the University of Nevada, Las Vegas, I happened to hear the wind symphony rehearsing through closed doors. I snuck into the band room and sat entranced for 50 minutes, transported by what was, hands down, the single loudest music I had ever heard. 6 percussionists! 8 trumpets! I was in love.

After the rehearsal I approached Thomas Leslie, the conductor, and asked if I could write a piece for their group. He said (without hesitation), “sure, and if it turns out well we’ll play it at the CBDNA convention in the Spring.” Now, up to this point I had never written for instruments before, only singers, so I got all of my friends who were instrumentalists and took them through their paces: “What pieces do you love to play? Which register is most comfortable? Which instrument sounds best when doubled with your instrument? etc.” I struggled with the work all through Christmas break (I wrote it in Las Vegas, Lake Tahoe, and Waco Texas) and presented Tom with the first movement when school resumed. He played it beautifully at the convention, and BOOM… the thing took off like a shot. Band directors began calling me at home, trying to buy it from me, and my formal career as ‘composer’ had begun.

I wrote the second and third movement a year later, and Tom premiered the whole thing in the Spring of 1995. I graduated two months later and headed for Juilliard. Ghost Train is dedicated to the man who brought it to life, Mr. Thomas G. Leslie.

Ghost Train Triptych
I. The Ride
II. At the Station
III. The Motive Revolution

Download the Mvt 1 Treble Euphonium Part

Instrumentation

Flutes 1 & 2
Oboes 1 & 2
Bassoons 1 & 2
Clarinets in B 1, 2 & 3
Bass Clarinets in B 1 & 2
Alto Saxophones in E 1 & 2
Tenor Saxophone in B
Baritone Saxophone in E
Trumpets in B 1, 2 & 3
Horns in F 1-4
Trombones 1, 2 & 3
Euphonium
Tuba
Piano
Mallet Percussion
Vibraphone
Low drums
Timpani
Percussion 1-5
Snare Drum
Crash Cymbal
Surdo
Bass Drum
Suspended Cymbal
Triangle
Tam-Tam
Low Drums
Triangle
Wind Chimes
Bells
Tom-Toms
Chinese Cymbal
Chimes
High Hat
Low Tom

Duration

20 minutes

Year of Composition

1993-1994

Difficulty

Level 5

Licensing

Boosey & Hawkes

Purchase

US: Hal Leonard
UK: Musicroom
World: Music Shop Europe
Digital: Sheet Music Direct

Perusal Score

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